Cataloging Cultural Objects (CCO)
Cataloging Cultural Objects (CCO) is a manual to help you describe, document, and catalog cultural artifacts (like art and architecture) and visual media that represent them.
Use CCO to:
create sharable metadata
build common practice for museums, digital libraries, and archives
complement diverse data structure and value standards in any system
improve discovery and access of cultural works
CCO Training Videos
Want to see CCO in action? The videos below were created to support different aspects of use of CCO, for different scenarios and with different systems.
All the videos are available on the VRA’s Vimeo channel.
Series 1: Introduction to CCO
Welcome to our series about the content standard Cataloging Cultural Objects (CCO). Whether CCO is new to you or you just need a refresher, this series will help you to see how CCO is the first building block in creating standardized data which can stand the test of time and be migrated into future digital initiatives.
This series was first introduced at a Special Interest Group (SIG) meeting at the 2018 VRA Conference.
Welcome to the first video for the Cataloging Cultural Objects standard, “Why CCO?” where we discuss the history and purpose of the standard.
Welcome to the second in our series about the content standard Cataloging Cultural Objects (CCO). This video looks at how to apply CCO’s Ten Key Principles in your cataloging.
The third video in our series explores the ways that CCO can work in conjunction with other structural standards to achieve consistency and interoperability over time.
In this video we look at ways to streamline your cataloging workflow, both for data creation and data repurposing.
Series 2: CCO in Action
Learn about the CCO (Cataloging Cultural Objects) content standard by seeing four different videos of cataloging scenarios in action. The scenarios shown in the videos address issues with different works, collections, and user needs, as applied in several different popular cataloging tools. The examples highlight how CCO can be implemented in different systems, in combination not only with VRA Core and the Getty vocabularies, but also with other metadata standards.
This series was developed in 2020-21 for a Special Interest Group (SIG) meeting at the 2021 VRA Conference.
This video looks at the problem of cataloging plates or illustrations in books or periodicals, as an example of thinking through cataloging decision making and testing user access. One of the basic tenets of the content standard Cataloging Cultural Objects (CCO) is that both a work and an image record are required. VRA Core 4 is a standard which uses this structure, and so the examples in this video use VRA Core 4 as a starting point. However, we show both flat and relational data structures.
This video illustrates how use and context can shape the way cataloging of digital assets is done for your institution, when following the content standard Cataloging Cultural Objects (CCO). Three examples of physical objects in museum, private, and visual resource collections are examined to show the contextual nature of the CCO question, “what are you cataloging?”
This video follows how the content standard Cataloging Cultural Objects (CCO) is applied to an example of a dress from a collection of historic clothing and its relationships to other archived works, to images, and even to exhibitions.
This video looks at how the content standard Cataloging Cultural Objects (CCO) helps with cataloging decisions to address the needs of users in an academic setting. It shows how CCO considers users, and makes recommendations for cataloging a virtual collection of images to meet user expectations.
Ten Key Principles
When cataloging cultural objects with CCO and VRA Core 4, there are ten key principles of CCO and of cataloging to keep in mind!
Ten Key Principles of CCO
This version of the Ten Key Principles of CCO was adapted in 2020 from the version in the original print publication:
Establish the logical focus of each Work Record, whether it is a single item, a work made up of several parts, or a physical group or collection of works. Strongly consider using a metadata standard which clearly distinguishes between Work Records and Image Records because you are describing cultural objects, not just their surrogates.
Some metadata standards have minimal required elements, but strive to include as many CCO formatted elements within those standards as possible to provide “who, what, where, when” information.
Follow the CCO rules. Make and document additional local rules as needed remembering that the goal is data that can be retrieved, repurposed, and exchanged effectively over time.
Use controlled vocabularies, such as the Getty vocabularies and the Library of Congress authorities. Store the record IDs (refids and/or URls) from controlled terms and the vocabulary name (AAT, LCSH etc.) with your data.
Create and document local authority records as well. It is also possible to create refids (and URls) for linked data for local authority terms.
Use established metadata standards, and conform to their rules. Standards which include both work and image record structure include VRA Core 4 and CDWA/LIDO.
Understand that cataloging, classification, indexing, and display are different but related functions which affect discovery and retrieval.
Be consistent in establishing relationships between works and images, between a group or collection and works, among works, and among images. Record the relationship type, using a controlled list.
Be consistent regarding capitalization, punctuation, and syntax. Avoid abbreviations in descriptive text, but when necessary, use standard codes and lists for abbreviations (for example, the ISO abbreviations for countries or the repository code for a manuscript).
For English-language information systems and users, use English language data values whenever possible. Other languages may be included as variant or alternate terms.
Ten Key Principles of Cataloging
ACCESS: Discovery of the asset by the user is the first criterion to be met.
When cataloging, always be mindful of creating multiple and appropriate access points for different user communities and different uses (curricula). A good cataloger is a generalist as well as a specialist.
Include both scholarly or professional terminology, as well as terms for the lay person. (Example; acroteria and roof ornaments)
Include both broad and narrow terms. (Example; sculpture and equestrian statue)
Use culturally sensitive and inclusive terminology. Be aware of ongoing discussions, and that terms may differ by region, age group and membership within a group. Provide alternate terms that are not considered offensive. (Example; Native American, First Nations, Amerindian, indigenous peoples)
Create alt-text visual descriptions for visually impaired and reading impaired users.
MAINTENANCE: of the asset reliably over time is also a goal.
Catalog once, export in various formats and various standards as needed. Select a metadata standard that comes with a published schema and/or an ontology which enables data to be expressed as XML and/or RDF.
Create or reference mappings to standards as needed and enable conversion strategies for legacy data and for data created outside of databases.
Store discretely parsed (indexable) data; display data or captions may be created on the fly (or stored in addition).
Ensure linkage between the image or media file and the text record file. At minimum, store the media/image filename within the text file. Consider embedding basic information in the image file as well.
Document your local practices and database decisions and retain mapping documents so that future managers clearly understand the choices represented by your data. Assume there will be migration and repurposing of data.
About CCO
Cataloging Cultural Objects: A Guide to Describing Cultural Works and Their Images (CCO) is a published manual for describing, documenting, and cataloging cultural works and their visual surrogates. The primary focus of CCO is art and architecture, including but not limited to paintings, sculpture, prints, manuscripts, photographs, built works, installations, and other visual media. CCO also covers many other types of cultural works, including archaeological sites, artifacts, and functional objects from the realm of material culture.
The complete CCO publication is available on this site as a PDF. It is also available as a print publication from the American Library Association and other booksellers. It has also been translated into Russian.
CCO is included as a data content standard in the NISO A Framework of Guidance for Building Good Digital Collections.
This work is licensed under a
Creative Commons Attribution-Noncommercial-Share Alike 2.5 License
Copyright © 2006 Visual Resources Association
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is designed for professionals in museums, image collections, archives, and libraries.
provides rules for descriptive cataloging of art, architecture, cultural objects, and their images.
is organized by the core data elements needed to describe cultural works.
includes lists of terminology sources.
illustrates hundreds of examples.
covers vocabularies and authority control.
maps to the CDWA core and VRA Core 4.0 metadata element sets.
can be used with other descriptive standards tools and metadata element sets.
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The Cataloging Cultural Objects (CCO) project was originally a sole undertaking of VRA, with governance assumed by VRAF in 2008 and returned to VRA in 2019 for administration by the Cataloging and Metadata Standards Committee (CaMS).
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Cataloging Cultural Objects: A Guide to Describing Cultural Works and Their Images (CCO) publication and the CCO Commons are the product of a diverse group of professionals from the cultural heritage community.
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CCO employs generic concepts that can be used with other metadata element sets (e.g. Dublin Core, MODS, MARC5).
The VRA Cataloging and Metadata Standards Committee (CaMS) maintains a list of Metadata Standards from which you can find metadata element sets, schemas, and controlled vocabularies that you can use with CCO.
Contact
For further information about CCO, contact the Cataloging and Metadata Standards Committee (CaMS).
Learn more about the Cataloging and Metadata Standards Committee.